当代建筑的特点与实例.ppt
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当代建筑的特点与实例.ppt
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建筑赏析建筑赏析ReadingArchitecture当代建筑的特点与实例概要n当代建筑的主要特点n实例解读A.当代建筑的重要变化1.功能的复合(Multi-Function)2.材料的创造性运用(新构造/材料)3.审美趋向的多样化(多元/个性)4.生态和智能的趋势5.CAD技术的影响功能的复合Multi-Function功能的复合(Multi-Function):
光大会展中心功能的复合:
光大会展中心1.功能的复合:
光大会展中心功能的复合:
光大会展中心功能的复合(Multi-Function)JohnHancockCenter,Chicago,1969,Skidmore,Owings&Merrill(SOM)2.材料的创造性运用(新构造/材料)SignalBox,Basel,Switzerland,1994,Herzog&deMeuron材料的创造性运用(新构造/材料)SignalBox,Basel,Switzerland,1994,Herzog&deMeuron材材料料的的创创造造性性运运用用(新新构构造造/材材料料)Housingruedemeaux,Paris,France,1989-1991,RenzoPianoHousingruedemeaux,Paris,France,1989-1991,RenzoPiano材料的创造性运用(新构造材料的创造性运用(新构造/材料)材料)Housingruedemeaux,Paris,France,1989-1991,RenzoPianoHousingruedemeaux,Paris,France,1989-1991,RenzoPiano材料的创造性运用(新构造材料的创造性运用(新构造/材料)材料)DominusWineryinNapaValley,California,USA,1995-97DominusWineryinNapaValley,California,USA,1995-97,Herzog&deMeuronHerzog&deMeuronDominusWineryinNapaValley,Yountville,California,USA,1995-97,Herzog&deMeuron平面信息:
线形空间,比例关系,与功能的适应平面信息:
线形空间,比例关系,与功能的适应ReceptionAreaReceptionAreaCellarCellarTankRoomTankRoomOfficeOfficeStorageStorageDominusWineryinNapaValley,Yountville,California,USA,1995-97,Herzog&deMeuronDominusWineryinNapaValley,Yountville,California,USA,1995-97,Herzog&deMeuronDominusWineryinNapaValley,Yountville,California,USA,1995-97,Herzog&deMeuron材料的运用材料的运用DominusWineryinNapaValley,Yountville,California,USA,1995-97,Herzog&deMeuron材料:
用于筑堤或防材料:
用于筑堤或防御的金属网御的金属网+石块石块为什么说为什么说创造性地运创造性地运用材料用材料?
1.1.美观要求(质感、美观要求(质感、疏密)疏密)2.2.适应气候变化要求适应气候变化要求3.3.对光线的考虑对光线的考虑4.4.表皮的概念表皮的概念DominusWineryinNapaValley,Yountville,California,USA,1995-97,Herzog&deMeuron石块所产生的光线效果石块所产生的光线效果DominusWineryinNapaValley,Yountville,California,USA,1995-97,Herzog&deMeuronDominusWineryinNapaValley,Yountville,California,USA,1995-97,Herzog&deMeuronDominusWineryinNapaValley,Yountville,California,USA,1995-97,Herzog&deMeuronBlueMoonApartment,Groningen,Netherlands,2000ToyoIto&ForeignOfficeArchitectsBlueMoonApartment,Groningen,Netherlands,2000ToyoIto&ForeignOfficeArchitects生物钢牵引丝织网框架丝作茧透光混凝土皱褶玻璃发光(led)中空玻璃太阳能灯More3.审美趋向的多样化(多元/个性)TheUmbrella,CulverCity,California,2000,EricOwenMoss审美趋向的多样化(多元/个性)浙江大学宁波理工学院图书馆,宁波,浙江大学宁波理工学院图书馆,宁波,20022002,马青运,马青运审美趋向的多样化(多元/个性)CityofMusic,Paris,France,1984-90,ChristiandePortzamparc审美趋向的多样化(多元/个性)TokyoMetropolitanGymnasium,Tokyo,Japan,1990,FumihikoMaki/槇文彦4.生态和智能的趋势MenaraMesiniaga,SelangorDarulEhsan,Malaysia,1992,T.R.Hamzah&Yeang生态和智能的趋势MenaraMesiniaga,Malaysia,1992,T.R.Hamzah&YeangMenaraMesiniaga,Malaysia,1992,T.R.Hamzah&Yeang生态和智能的趋势MenaraMesiniaga,Malaysia,1992,T.R.Hamzah&YeangMenaraMesiniaga,Malaysia,1992,T.R.Hamzah&Yeang生态和智能的趋势智能建筑IntelligentBuilding5.CAD技术的影响GuggenheimMuseum,Bilbao,Spain,1991-97,FrankO.GerhyCAD技术的影响1.世纪东方城2.SantiagoCalatravasdesignofMovingBones3.2008奥运会主体育场CAD技术的影响TheTurbulenceHouse,NewMexico,2001-04,StevenHollB.实例解读以风格为主线现代主义建筑的反思与发展后现代新现代极少主义解构主义地方主义的演进高技与建筑的技术趋向中国当代建筑实践1.后现代主义(Post-Modernism)对现代建筑(国际式)的批判性思考与实践理论准备:
RobertVenturi,建筑的复杂性与矛盾性:
针对现代主义所忽视的美学问题,提倡多元、兼容并蓄建筑师:
MichaelGraves,RobertVenturi(&ScottBrown),AldoRossi,CharlesMoore,JamesStirlingAT&TBuilding,NewYork,1978,PhilpJohnsonAT&TBuilding,NewYork,1978,PhilpJohnsonThePortlandBuilding,Portland,Oregon,1980,MichaelGravesDenverCentralLibrary,Denver,Colorado,1996,MichaelGravesDenverCentralLibrary,Denver,Colorado,1996,MichaelGravesDenverCentralLibrary,Denver,Colorado,1996,MichaelGravesDenverCentralLibrary,Denver,Colorado,1996,MichaelGravesDenverCentralLibrary,Denver,Colorado,1996,MichaelGravesDenverCentralLibrary,Denver,Colorado,1996,MichaelGravesPiazzadItalia,NewOrleans,Louisana,1974,CharlesMoorePiazzadItalia,NewOrleans,Louisana,1974CharlesMooreSainsburyWing,NationalGallery,London,1988-91,VenturiScottBrown&AssociateSainsburyWing,NationalGallery,London,1988-91,VenturiScottBrown&AssociateSainsburyWing,NationalGallery,London,1988-91,VenturiScottBrown&AssociateSainsburyWing,NationalGallery,London,1988-91,VenturiScottBrown&AssociateNewStateGallery,Stuttgart,Germany,1977-83,JamesStirlingNewStateGallery,Stuttgart,Germany,1977-83,JamesStirlingNewStateGallery,Stuttgart,Germany,1977-83,JamesStirlingNewStateGallery,Stuttgart,Germany,1977-83,JamesStirling2.新现代主义(Neo-Modernism)对现代建筑的传承与发展BrunoZevi,建筑空间论:
功能原则扩大化,着眼于创造形式对空间、光、形式的认识和实践建筑师:
LouisKahn,RichardMeier,TandoAndo,GwathmeySiegel,LuigiSnozziJonasSalkInstitute,LaJolla,California,1959-1966JonasSalkInstitute,LaJolla,California,1959-1966,LouisKahn,LouisKahnJonasSalkInstitute,LaJolla,California,1959-1966JonasSalkInstitute,LaJolla,California,1959-1966,LouisKahn,LouisKahnJonasSalkInstitute,LaJolla,California,1959-1966JonasSalkInstitute,LaJolla,California,1959-1966,LouisKahn,LouisKahnJonasSalkInstitute,LaJolla,California,1959-1966JonasSalkInstitute,LaJolla,California,1959-1966,LouisKahn,LouisKahnJonasSalkInstitute,LaJolla,California,1959-1966JonasSalkInstitute,LaJolla,California,1959-1966,LouisKahn,LouisKahnJonasSalkInstitute,LaJolla,JonasSalkInstitute,LaJolla,CalifCalifornia,1959-1966ornia,1959-1966,LouisKahn,LouisKahnGettyCenter,LosAngeles,California,1985-97,RichardMeierGettyCenter,LosAngeles,California,1985-97,RichardMeierGettyCenter,LosAngeles,California,1985-97,RichardMeierGettyCenter,LosAngeles,California,1985-97,RichardMeierGettyCenter,LosAngeles,California,1985-97,RichardMeierGettyCenter,LosAngeles,California,1985-97,RichardMeierTheNewModernArtMuseum,FortWorth,Texas,2002,TadaoAndoTheNewModernArtMuseum,FortWorth,Texas,2002,TadaoAndoTheNewModernArtMuseum,FortWorth,Texas,2002,TadaoAndoTheNewModernArtMuseum,FortWorth,Texas,2002,TadaoAndo3.极少主义(Mininalism)对现代建筑的发展准备:
MiesvanderRohe的实践极少主义艺术家的创作建筑师:
Herzog&DeMeuron,AlbertoCampoBaeza,LuisBarragan,ToyoIto(伊东丰雄),ShigeruBan(坂茂),KazuyoSejima(妹岛和世)CollectionGoetz,Munich,German,1989,Herzog&DeMeuronCollectionGoetz,Munich,German,1989,Herzog&DeMeuronCollectionGoetz,Munich,German,1989,Herzog&DeMeuronCollectionGoetz,Munich,German,1989,Herzog&DeMeuronCollectionGoetz,Munich,German,1989,Herzog&DeMeuronCollectionGoetz,Munich,German,1989,Herzog&DeMeuronUpperLevelEntranceLevelLowerLevelCollectionGoetz,Munich,German,1989,Herzog&DeMeuronCollectionGoetz,Munich,German,1989,Herzog&DeMeuronCollectionGoetz,Munich,German,1989,Herzog&DeMeuronTHouse,Yutenji,Tokyo,1999,ToyoIyoTHouse,Yutenji,Tokyo,1999,ToyoIyoTHouse,Yutenji,Tokyo,1999,ToyoIyo2/5House,Nishinomiya,Hyogo,1995,ShigeruBan2/5House,Nishinomiya,Hyogo,1995,ShigeruBanMhouse,Tokyo,Japan,1997,KazuyoSejimaMhouse,Tokyo,Japan,1997,KazuyoSejimaMhouse,Tokyo,Japan,1997,KazuyoSejima4.解构主义(Deconstructionism)对现代建筑的批判理论准备:
JacquesDerrida建筑师:
BernardTschumi,FrankO.Gehry,DanielLibeskind,EricOwenMoss,RemKoolhaas,PeterEisenman,ZahaHadid,CoopHimmelblau,Morphosis,AsymptoteLaVillette“Follies”,Paris,France,1982-85,BernardTschumiLaVillette“Follies”,Paris,France,1982-85,BernardTschumiVitraFurnitureMuseum,WeilamRhein,Germany,1986-89,FrankO.GehryVitraFurnitureMuseum,WeilamRhein,Germany,1986-89,FrankO.GehryVitraFurnitureMuseum,WeilamRhein,Germany,1986-89,FrankO.GehryVitraFurnitureMuseum,WeilamRhein,Germany,1986-89,FrankO.GehryVitraFurnitureMuseum,WeilamRhein,Germany,1986-89,FrankO.GehryVitraFurnitureMuseum,WeilamRhein,Germany,1986-89,FrankO.GehryVitraFurnitureMuseum,WeilamRhein,Germany,1986-89,FrankO.GehryVitraFurnitureMuseum,WeilamRhein,Germany,1986-89,FrankO.GehryVitraFireStation,WeilamRhein,Germany,1986-89,ZahaHadidVitraFireStation,WeilamRhein,Germany,1986-89,ZahaHadidVitraFireStation,WeilamRhein,Germany,1986-89,ZahaHadidVitraFireStation,WeilamRhein,Germany,1986-89,ZahaHadidVitraFireStation,WeilamRhein,Germany,1986-89,ZahaHadidTheUmbrella,CulverCity,California,2000,EricOwenMossTheUmbrella,CulverCity,California,2000,EricOwenMossTheUmbrella,CulverCity,California,2000,EricOwenMossRooftopRemodelling,Vienna,Austria,1983-89,CoopHimmelblau(蓝天组)RooftopRemodelling,Vienna,Austria,1983-89,CoopHimmelblau(RooftopRemodelling,Vienna,Austria,1983-89,CoopHimmelblau(蓝天组蓝天组)RooftopRemodelling,Vienna,Austria,1983-89,CoopHimmelblau(RooftopRemodelling,Vienna,Austria,1983-89,CoopHimmelblau(蓝天组蓝天组)RooftopRemodelling,Vienna,Austria,1983-89,CoopHimmelblau(蓝天组)ConventionCenter,Columbus,Ohio,1988-1993,PeterEisenmanConventionCenter,Columbus,Ohio,1988-1993,PeterEisenmanLoisiumVisitorsCenter,Langenlois,Austria,2003,StevenHollLoisiumVisitorsCenter,Langenlois,Austria,2003,StevenHollFelixNussbaumMuseum,Osnabruck,Germany,1998,DanielLibeskind5.地方主义的演进(Regionalism)结合当地的环境要素和条件(气候、地形、材料、形式等)理论介绍:
Frampton,Kenneth.(1985)CriticalRegionalism:
modernarchitectureandculturalidentity,ModernArchitectureACriticalHistory,London:
ThamesandHudson,建筑师:
AlvarAalto,PeterZumthor,MarioBotta,GlenMurcutt,CharlesCorrea,LuisBarraganVillaMairea,Noormarkku,Finland,1938-41,AlvarAaltoVillaMairea,Noormarkku,Finland,1938-41,AlvarAaltoVillaMairea,Noormarkku,Finland,1938-41,AlvarAaltoSyntsaloTownHall,Finland,1952AlvarAaltoSyntsaloTownHall,Finland,1952AlvarAaltoSyntsaloTownHall,Finland,1952AlvarAaltoSaintBenedictChapel,Sumvitg,Switzerland,1988,PeterZumthorSaintBenedictChapel,Sumvitg,Switzerland,1988,PeterZumthorSaintBenedictChapel,Sumvitg,Switzerland,1988,PeterZumthorSaintBenedictChapel,Sumvitg,Switzerland,1988,PeterZumthorSaintBenedictChapel,Sumvitg,Switzerland,1988,PeterZumthor父亲住宅父亲住宅,玉山,蓝田,陕西,玉山,蓝田,陕西,2003,马清运马清运父亲住宅父亲住宅父亲住宅父亲住宅,玉山,蓝田,陕西,玉山,蓝田,陕西,玉山,蓝田,陕西,玉山,蓝田,陕西,20032003,马清运马清运马清运马清运父亲住宅父亲住宅父亲住宅父亲住宅,玉山,蓝田,陕西,玉山,蓝田,陕西,玉山,蓝田,陕西,玉山,蓝田,陕西,20032003,马清运马清运马清运马清运ThermalBath,Vals,Graubunden,Switzerland,1997,PeterZumthorThermalBath,Vals,Graubunden,Switzerland,1997,PeterZumthorThermalBath,Vals,Graubunden,Switzerland,1997,PeterZumthorThermalBath,Vals,Graubunden,Switzerland,1997,PeterZumt
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